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How does a cinematic montage primarily affect the storytelling process in film?

How does the eyeline match technique contribute to spatial continuity in film editing?

Why is the eyeline match technique important in continuity editing?

Which principle is NOT typically associated with continuity editing to maintain spatial and temporal coherence?

Which of the following editing techniques is primarily used in continuity editing to maintain spatial orientation for the viewer?


How does the use of montage in film editing primarily affect the storytelling?

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